Men at Work – Business as Usual

Men at Work - Business as UsualMen at Works’s “Business as Usual” is a great example of a succesful pop record that was both entertaining and original – qualities you could only hope to have in a modern day pop album. Of course, this one here is mostly remembered for the (in-)famous “Down Under” which has become the inofficial national anthem of Australia – despite the fact that it can be seen as a mockery, not only of Australia but of the postmodern industrial age in general. And what if that only shows us how self-ironic and funny the Aussies can be? You’ve got to love the land where “women glow and men plunder”, and you’ve got to love the Men at Work and their “Business as Usual”! Continue reading

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Dire Straits – Communiqué

Dire Straits - CommuniquéThe Dire Straits are one of the relatively few bands of which I own the whole discography. That for (mainly) two reasons: I love their mix between the casual and the epic and I love Mark Knopfler’s guitar work. I don’t think I need a lot of space for introduction here, since everyone (should have) at least heard “Brothers in Arms”, “Sultans of Swing” or “Money For Nothing”. What surprises me, is the little compromises Mark Knopfler (as the head of the band) had to make when he composed lengthy songs and still had a great success with it. But before I start moaning about the loss of the good old days of pop music, I’d like to focus on their second album, that is seldom looked upon and most of the time even ignored: “Communiqué”. Continue reading

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Ghostbusters – Original Soundtrack Album

Ghostbusters - Original Soundtrack AlbumTime for some personal nostalgia. The Ghostbusters films and franchise were some of the most brilliant of the 80s – and those had a lot of great movies, like Indiana Jones and Star Wars (for the biggest and best part). It still is one of the most memorable brands in movie history. Who wouldn’t recognize that cute spook caught in the no-go traffic sign? And then the very original and creatively designed action figures, the video games, the board game … the whole lot of it. Oh, not to forget – and that’s why we’re here – the music! Continue reading

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Sound of the Beast. The Complete Headbanging History of Heavy Metal

Sound of the BeastA quick search on “Heavy Metal” in the books section of Amazon reveals a list of some dozen issues about the music, the people who make it and the cult that follows. A short history of the genre itself is usually a part of these books, but rarely do you find a wider analysis or a “Complete [...] History of Heavy Metal” that’s not an encyclopedia. Ian Christe’s attempt alone is worth an applause, just when you think about Metal and all those roots that it derives from and the branches it has grown. Where to begin? Which path to follow? Christe puts in a load of knowledge, behind-the-scenes information, quotations and weaves them into a coherent storyline that essentially follows a chronology of events outlined in the beginning of the book. So, is this book worth reading? And, moreover, is it the promised “Complete Headbanging History”? Let’s find out! Continue reading

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Unexpect – In a Flesh Aquarium

Unexpect - In a Flesh AquariumWhen you‘re not used to it, a smokey whisky will at first simply smell of smoke. Only after getting accustomed to it, you’ll sense the softer, more subtle aromas under this smoky veil. The same could be said of the music of Unexpect: This Canadian band thrashes, grunts and riffs in best extreme metal fashion. If you’re not into that sort of music, it will sound like distorted hubbub in your ears – and only after longer and closer listening the more subtle and complex notes will come through. Continue reading

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Eric Dolphy – In Europe Vol. 1

Eric Dolphy - In Europe Vol. 183 years ago today, a boy was born in L.A., a boy who would become a jazz prodigy and ultimately, sadly, a jazz martyr. I’m talking about Eric Dolphy, who died, only 36 years old in 1964 after being confused for a drug addict when instead lying in a diabetic coma in a German hospital (I apologize). Since the end of the 50s, Dolphy had been on the forefront of jazz modernists like Miles Davis, John Coltrane, Charles Mingus etc. An immensely gifted musician, Dolphy was one of the most diverse jazzers, being able to play (alto) saxophone, flute and bass clarinet with great expertise. Whilst the albums “Out There” from 1960 and especially “Out to Lunch” from 1964 are generally pointed out as the peaks of Dolphy’s career, I’d like to discuss one of Dolphy’s lesser known releases that also is one of my favourite jazz albums: “In Europe Vol. 1″. Continue reading

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Diamond Head – Living on Borrowed Time

Diamond Head - Living on Borrowed Time

Whilst the first Diamond Head album offered nothing but blank white paper with some autographs on, the second album really set a mark for fantasy style pictures on heavy metal covers (a topic that will need further investigation at some point). I don’t own a massive scanner so I had to take a photo of the whole cover (as you can see, it makes for a coherent picture) with shaky hands and stuff, so the quality is not the best, but you get the dimensions, I assume.  Before we talk about the music,  let’s talk about the cover for a while. Continue reading

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Momentary Madness (a mix)

MadnessThis mix is a pure test.  I noticed that a few friends of mine used mixcloud.com for uploading their mixes instead of 8tracks.com, which I can understand, since the mixes you create on the former can contain more than just 8 tracks (if still no less than 8 ) and you, as the DJ, can do all kinds of cross-fading and that stuff, because all you upload is a single mp3 file. And here’s where the problem started for me. Mixcloud.com is a very, very ugly looking and confusing website. The information about how you can upload your mixes is limited to a three step instruction that says in the second paragraph: “If music, must contain at least 8 tracks and tracklists/chapters are required”. What do you think? I thought, my uploaded mp3 already needed to have tracklists and/or chapters by itself. Therefore I searched the internet up and down to find instructions or tools for getting the information in the file and wasn’t very successful. Hence I uploaded this file to see what would happen. Continue reading

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Diamond Head – The White Album

Diamond Head - The White AlbumThis is the first part of a three-parter concerning the classic albums of NWOBHM legend Diamond Head. “The White Album” (later reissued as “Lightning to the Nations”) was the first album of a newcomer band with what then seemed to be promising career in the heavy metal scene. The album was “designed” in white (except for the autographs of the musicians) and sent to music journalists all over the country. While thus providing a somewhat mysterious charm, it happened out of a simple necessity: the album was published through Diamond Head’s own record company Happy Face Records and I assume that the money for a professional record cover just wasn’t on hand at the time. Deals like that, by the way, were normal procedure for a heavy metal band in the early 80s, since they didn’t get any airplay or contracts from major labels. Even though there was a big demand from a young audience for these albums. Continue reading

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Songs about stalkers, creeps and their victims

StalkerTalking about the latest Russian title in the ESC (that Siberian surfer dude) and “The Infamous Date Rape”, a song by A Tribe Called Quest – I sensed a theme going on in popular music, a terrifying theme of stalking, creeping and other mental illnesses involving possessive behaviour towards sexually desired people. How come so many songwriters think or believe that following an object of desire in the dark, watching them through their windows at home and finally harassing them in a lonely alley is actually a nice thing worthy of being a theme for a pop song? I don’t get it! To bring the issue to a wider audience, I set up a mix at 8tracks.com with the scariest songs I could find, check it out! Continue reading

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